The Winter 2018 series for Looking @ Art Cinema is an Introduction to French Cinema.
Looking @ Art Cinema – The Art of French Cinema will be hosted by Fernando Pardo.
Fernando Pardo was an undergraduate at Wake Forest University and pursued his master’s degree in French Studies at Middlebury College (Vermont) and the Sorbonne in Paris. His field of specialization during his studies at the Sorbonne was Albert Camus, and French Cinema. After a long career in marketing in Paris, Pardo returned to Winston-Salem where he hopes to convey the love of languages and cinema to his students at Salem College and Wake Forest University.
Special event pricing for the series applies- general admission prices will be $14.50 per screening, college students $12.50 and a/v society members will receive a discounted price of $11.50 per screening. Admission includes film, discussion and coffee/pastries from Camino Bakery. Find more information on specific titles and ticketing links below.
Breakfast sponsored by Camino Bakery
A BOUT DE SOUFFLE… (Breathless)
Saturday, Feb 17 @ 9:30AM
There was before BREATHLESS, and there was after BREATHLESS. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du cinéma. With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, BREATHLESS helped launch the French New Wave and ensured that cinema would never be the same. (R)
LE DERNIER METRO (The Last Metro)
Saturday, March 10 @ 9:30AM
The Last Metro is set virtually in its entirety in a crumbling French theatre. During the Nazi occupation, Jewish director Lucas Steiner (Heinz Bennent) hides in the basement of the theatre, while his wife Marion (Catherine Deneuve) stars in its latest production. Marion is enamored of leading man Bernard Granger (Gerard Depardieu), and he with her, but they resist temptation out of respect to her husband. When she is given a choice between loyalty to her husband and to her countrymen, her dilemma offers two logical solutions–both of which are acted out on stage during the play. This Pirandellian ending aside, The Last Metro is one of the few films to accurately capture the feeling of what it was like to live in Paris under the thumb of the Nazis. (PG)