About five never completed films made between 1978 and 1992 before the backdrop of the various communist regimes that came to power in Afghanistan. Scenes from these films, some of which later reused in other works, are edited together with current footage of their locations and commentaries by the filmmakers and actors involved in the productions, allowing us to dive into action films and romantic dramas that revolve around local histories and conflicts.

Not Rated, 72 minutes

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Michael Shulan was a struggling novelist and owner of a storefront space in New York’s trendy Soho neighborhood. The attacks on the World Trade Center changed his life forever. He turned his Prince Street space into a now famous crowdsourced photo exhibit called “here Is new york: a democracy of photographs” Over the course of five years, he became known as one of the world’s leading experts on 9/11 photography. Then, the lifelong outsider was invited to be part of something big. Shulan was named the Creative Director of the National 9/11 Museum at Ground Zero.

 

Not Rated, 83 minutes

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A documentary about the concrete sections of the Berlin Wall that have been acquired by institutions or individuals since 1989 and are now scattered across the USA. Cherished or abandoned, they have become silent witnesses to recent history.

 

Not Rated, 69 minutes

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Soaring above the chaotic spectacle of ‘80s and ‘90s Los Angeles, a young couple revolutionized breaking news with their brazen helicopter reporting. Culled from this news duo’s sprawling video archive is a poignant L.A. story of a family in turbulence hovering over a city unhinged.

Not Rated, 103 minutes

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In the wake of his father’s death, a twenty-something writer sees his dream of moving to Paris put in jeopardy when he’s forced to temporarily take in his wildly unpredictable, mentally ill sister.

Rated PG-13, 90 minutes

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The 24th feature from Hong Sangsoo, THE WOMAN WHO RAN follows Gamhee (Kim Minhee), who has three separate encounters with friends while her husband is on a business trip. Youngsoon

(Seo Youngwha) is divorced, has given up meat, and likes to garde

n in her backyard. Suyoung (Song Seonmi) has a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater. Their meeting is polite but strained. Before long, their shared history bubbles to the surface. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere.

Not rated, 77 minutes

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The Japanese volleyball players called the “Oriental Witches” are now in their 70s. From the formation of the team at the factory until their victory at the Tokyo Olympics in 1964, memories and legends rise to the surface and blend inextricably.

Not rated, 103 minutes

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Lourdes: A stunningly beautiful mountainous village in the Southwest foothills of the Pyrenees went from a sleepy scenic town to a sacred wonder after 1858, when a 14-year-old peasant girl claimed to have seen the Virgin Mary in a remote grotto. Today, the town is second only to Paris in the number of annual visitors (6 million). LOURDES is an insightful meditation on the human capacity for empathy and hope, and the mystery of religious faith in the face of profound tribulation.

Not rated, 103 minutes

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To the tight-knit community of Sainte-Adeline, Quebec, Magalie appears as a normal suburban high school sophomore surrounded by friends. But this popular teenage girl is harboring a shocking secret: she’s pregnant. When Magalie refuses to identify the father, suspicions among the townsfolk come to a boiling point and the layers of a carefully maintained social varnish eventually crack.

Not rated, 103 minutes

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Asia is the single mother of 17-year-old Vika. Vika’s deteriorating health urges Asia to finally find her voice as a mother and to embrace and cherish their time together. Asia never chose to be a mother, yet she deeply loves her daughter. While Asia devotes herself to caring for Vika, she still cannot quite understand what she, as a mother, can offer her daughter. Asia’s failed attempts at helping Vika, eventually bring them closer together. Asia gets to know her daughter; her fears and her longings. She learns that what Vika needs most is her unconditional love.

Not rated, 85 minutes

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A poetic debut feature circling the origin of the death myth from the Chinookan people in the Pacific Northwest, małni – towards the ocean, towards the shorefollows two people as they wander through their surrounding nature, the spirit world, and something much deeper inside. At its center are Sweetwater Sahme and Jordan Mercier, who take separate paths contemplating their afterlife, rebirth, and death. Probing questions about humanity’s place on earth and other worlds, Sky Hopkina’s film will have audiences thinking (and dreaming) about it long after.

Not rated, 80 minutes

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