revival cinema

Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was  The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #31

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

Revival

With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at Cannes, is an immersive cinematic experience and a film of elemental power.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #35

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

The eruption of Céline Sciamma’s Portrait of a Lady on Fire at 30th place, the highest new entry in the poll, mirrors the meteoric rise of a director who had just begun her career at the time of the last poll. Her first three films, Water Lilies (2007), Tomboy (2011) and Girlhood (2014), did much to redefine coming-of-age narratives, opening new horizons on youth and queer desire while manifesting a coherent stylistic vision, characterised notably by pareddown visuals. As a result, Sciamma, an alumna of the prestigious Paris film school La Fémis, swiftly rose to the pantheon of French auteur cinema (she scripts all her films).

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #30

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

Jacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in an age of high technology reached their apotheosis with PlayTime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the lovably old-fashioned Monsieur Hulot, along with a host of other lost souls, into a baffling modern world, this time Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, PlayTime is a lasting record of a modern era tiptoeing on the edge of oblivion.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #23

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

Revival

City Lights, the most cherished film by Charlie Chaplin, is also his ultimate Little Tramp chronicle. The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street (a magical Virginia Cherrill) and mistakes him for a millionaire. Though this Depression-era smash was made after the advent of sound, Chaplin remained steadfast in his love for the expressive beauty of the pre-talkie form. The result was the epitome of his art and the crowning achievement of silent comedy.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #36

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

Although restricted to the immediate environs of a multicultural community living and working in and around a brownstone block in Bedford-Stuyvesant, Brooklyn (where Lee himself grew up), the film anatomizes a whole cross-section of US society, and clinically demonstrates the mechanism by which a seemingly trivial dispute (in this case, over the choice of sportsmen displayed by the local pizzeria) can escalate into a full-blown race riot given the presence of aggravating factors such as the searing heat of both the weather and assorted tempers. But this is no one-sided polemic: Lee’s characters (not least his own character Mookie) are all too recognizably human in their foibles and frailties.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #24

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

The wildly prolific German filmmaker Rainer Werner Fassbinder paid homage to his cinematic hero Douglas Sirk with this update of that filmmaker’s 1955 All That Heaven Allows. A lonely widow (Brigitte Mira) meets a much younger Arab worker (El Hedi ben Salem) in a bar during a rainstorm. They fall in love, to their own surprise—and to the outright shock of their families, colleagues, and drinking buddies. In Ali: Fear Eats the Soul, Fassbinder expertly wields the emotional power of classic Hollywood melodrama to expose the racial tensions underlying contemporary German culture.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #52

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

A love story in the city of dreams . . . 
Blonde Betty Elms (Naomi Watts) has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia (Laura Harring). Meanwhile, as the two set off to solve the second woman’s identity, filmmaker Adam Kesher (Justin Theroux) runs into ominous trouble while casting his latest project. David Lynch’s seductive and scary vision of Los Angeles’s dream factory is one of the true masterpieces of the new millennium, a tale of love, jealousy, and revenge like no other.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #8

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-aged father NJ’s tentative flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #90

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.

A young man grows up in the mob and works very hard to advance himself through the ranks. He enjoys his life of money and luxury but is oblivious to the horror that he causes. A drug addiction and a few mistakes ultimately unravel his climb to the top. Based on the book “Wiseguy” by Nicholas Pileggi.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators, archivists and academics each submitting their top ten ballot.

Sight & Sound (2022) – #63

Please visit our accessibility page for more information. Beyond the description, trailer and quoted reviews on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media and IMDb. We encourage you to research our films at your own informational interest level via the internet.