Poster for More Virtual Titles

More Virtual Titles

Veteran filmmaker Philippe Garrel once again fashions a pinpoint-precise and economical study of young love and its prevarications, which ever so gradually blossoms into an emotionally resonant moral tale. Handsome Luc (Logann Antuofermo), following in his aging father’s footsteps to study the craft of furniture joining, doesn’t appear to have any trouble meeting and dating women; as the film opens he’s aggressively courting Djemila (Oulaya Amamra) at a Paris bus stop. Skeptical yet ultimately trusting, Djemila will not be Luc’s one and only. Constructed and composed with crystalline austerity, and co-written with Jean-Claude Carrière and Arlette Langmann—who collaborated on Garrel’s last two films, In the Shadow of Women and Lover for a Day —The Salt of Tears is a pocket portrait that demonstrates the persistent vitality of one of French cinema’s great observers of the callowness of youth.

Not rated, 100 minutes

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Steve Zahn stars as Troy, a troubled but well-intentioned father who has recently separated from his wife Sally (Jillian Bell). Aghast at Sally’s refusal to let their trans son Joe (Sasha Knight) live as his authentic self, Troy runs off with Joe into the Montana wilderness. Meanwhile police detective (Ann Dowd) pursues them, but her resolve about the case is tested the more she learns about Joe’s family. COWBOYS, a modern day Western from director Anna Kerrigan, is a tale of rescue, family betrayal and a father and son on the run.

Not rated, 83 minutes

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With Some Kind of Heaven, first-time feature director Lance Oppenheim cracks the manicured facade of The Villages, America’s largest retirement community – a massive, self-contained utopia located in Central Florida. Behind the gates of this palm tree-lined fantasyland, Some Kind of Heaven invests in the dreams and desires of a small group of Villages residents – and one interloper – who are unable to find happiness within the community’s pre-packaged paradise. With strikingly composed cinematography, this candy-colored documentary offers a tender and surreal look at the never-ending quest for finding meaning and love in life’s final act.

Not rated, 83 minutes

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After a long and unsuccessful struggle to get pregnant, Satoko and her husband decide to adopt a child. Over the next six years, the middle-class couple and their young son Asato settle into a comfortable, albeit routine, life. The family’s orderly existence is shattered by the arrival of Hikari, a young woman claiming to be Asato’s biological mother, demanding his return. As tensions mount, Satoko grows more and more emboldened to defend her family. Weaving together multiple timelines and genres with a contemplative pacing and keen sense of place, hallmarks of Kawase’s work, TRUE MOTHERS is “is a deeply touching celebration of women who assume duties of love, support and compassion” (Awards Watch)

Not rated, 140 minutes

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A prize-winner at the Venice Film Festival and Ukraine’s official selection for the 2021 Academy Awards, ATLANTIS is a gorgeous and visionary sci-fi drama. Eastern Ukraine, 2025. A desert unsuitable for human habitation. Water is a dear commodity brought by trucks. A Wall is being build-up on the border. Sergiy, a former soldier, is having trouble adapting to his new reality. He meets Katya while on the Black Tulip mission dedicated to exhuming the past. Together, they try to return to some sort of normal life in which they are also allowed to fall in love again.

Not rated, 103 minutes

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After 20 years in the United States, a Hungarian neurosurgeon returns to Budapest for a romantic rendezvous with a fellow doctor she met at a conference. When the love of her life is nowhere to be seen, she tracks him down only to have the bewildered man claim the two have ne

Not rated, 95 minutes

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Lisa, once a brilliant playwright, no longer writes. She lives with her family in Switzerland, but her heart remains in Berlin, beating in time with that of her twin brother Sven, the famous theatre actor. Since Sven has been suffering from an aggressive type of leukemia, the relationship between them has become even closer. Lisa does not want to accept this blow of fate, she does everything in her power to bring Sven back on stage. For her soulmate she neglects everything else and even risks losing her husband. Her marriage goes awry, but Lisa only has eyes for her brother, who reflects her deepest longings and awakens in her the desire to be creative, to feel alive again.

Not rated, 99 minutes

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In the wilderness of the Bucharest Delta, an abandoned water reservoir just outside the bustling metropolis, the Enache family lived in perfect harmony with nature for two decades, sleeping in a hut on the lakeshore, catching fish barehanded, and following the rhythm of the seasons. When this area is transformed into a public national park, they are forced to leave behind their unconventional life and move to the city, where fishing rods are replaced by smartphones and idle afternoons are now spent in classrooms.

 

Not rated, 86 minutes

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Growing up in the Moroccan village of Tazzeka, Elias learned the secrets of traditional Moroccan cuisine from his grandmother who raised him. Years later, meeting a top Paris chef and a young woman named Salma inspires him to leave home. In Paris, Elias faces unstable work and financial hardship as an undocumented immigrant. But he also finds friendship with Souleymane, who helps revive his passion for cooking.

Not rated, 95 minutes

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Blizzard of Souls pays stark witness to the horrors and brutality of the First World War, as seen through the eyes of an innocent 17-year-old farm-boy turned soldier. Though he is underage, and his dad, a former marksman, is overage for the army, they are both conscripted into one of Latvia’s first national battalions. The thrill of training is soon followed by reality, as shells burst around them in the endless mud. He grows up on the battlefield, fighting at the side of his father and brother, their lives are constantly in jeopardy. Adapted from the book by Aleksandrs Grins, which was banned in the U.S.S.R., the story was based on Grins’ own war experiences in a Latvian battalion, and the film is the biggest box office success in Latvia in the past 30 years.

Not rated, 123 minutes

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After an explosive fire claims the lives of 27 people at Bucharest nightclub, Colectiv, officials reassure the public that surviving victims will receive care in facilities that are “better than in Germany.” Weeks later, a rising causality count leads intrepid reporters at the Sports Gazette to investigate. Just as a crucial tip exposes Hexi Pharma, a local firm’s culpability, the firm’s owner dies under mysterious circumstances and the health minister quietly resigns amid the uproar -but this is only the first chapter in a thrilling, ever-twisting exposé.

Not rated, 109 minutes

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Yoko (former Jpop idol Atsuko Maeda) travels with a small crew to Uzbekistan (breathtakingly captured by veteran DP Akiko Ashizawa) to shoot an episode of her reality TV travel show. In front of the camera her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted. Despite her best efforts, all the shootings end unsuccessfully. Frustrated by the failed filming, she takesto the streets of this mysterious country on her own.Lost in the streets of Tashkent,
she finds herself adrift and alone, confronting her deepest fears and hidden aspirations. A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz.

Not rated, 120 minutes

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From Juan José Campanella, the director of the Oscar Award-winning The Secret in Their Eyes, comes The Weasels’ Tale (El cuento de las comadrejas), a comedic thriller that stars a bumper crop of well-known older Argentine actors. The film is the story of a group of four long-time friends, including a used-to-be-famous actress, her now disabled husband and an actor as well, who she eclipsed, and the sharp-tongued screenwriter and director of her greatest hits. Their coexistence is menaced by a young couple who, feigning to be lost, slowly insinuate themselves into their lives. It’s Sunset Boulevard meets The Best Exotic Marigold Hotel, with a Latin twist. Financial gain, seduction, betrayal, and memories run amok are the elements that create the recipe for this delightful game of cat…and weasel.

Not rated, 129 minutes

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On January 23rd, 2020, China locked down Wuhan, a city of 11 million, to combat the emerging COVID-19 outbreak. Set deep inside the frontlines of the crisis in four hospitals, 76 DAYS tells indelible human stories at the center of this pandemic—from a woman begging in vain to bid a final farewell to her father, agrandfatherwith dementia searching for his way home, a couple anxious to meet their newborn, to a nurse determined to return personal items to families of the deceased. These raw and intimate stories bear witness to the death and rebirth of a city under a 76-day lockdown, and to the human resilience that persists in times of profound tragedy.

Not rated, 93 minutes

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There’s a theory that we should be born with a small amount of alcohol in our blood, and that modest inebriation opens our minds to the world around us, diminishing our problems and increasing our creativity. Heartened by that theory, Martin and three of his friends, all weary high school teachers, embark on an experiment to maintain a constant level of intoxication throughout the workday. If Churchill won WW2 in a heavy daze of alcohol, who knows what a few drops might do for them and their students? Initial results are positive, and the teachers’ little project turns into a genuine academic study. Both their classes and their results continue to improve, and the group feels alive again!

Not rated, 116 minutes

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When a family becomes concerned about their mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.

Not rated, 84 minutes, Spanish

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