Poster for More Virtual Titles

More Virtual Titles

Run Time: 80-120 min.

April 9, 1940: Denmark is invaded by Nazi Germany with demands for immediate and unconditional surrender. The government surrenders after a few hours and begins cooperating with the Nazis. On the other side of the Atlantic is Denmark’s ambassador to the United States of America, a daredevil and a man of the world – Henrik Kauffmann, who is willing to put everything on the line. He refuses to follow the German directives and engineers a rebellious plan to defeat Hitler and give the Danish people their freedom back.

Not rated, 110 minutes

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Martha Cooper is an unexpected icon of the street  art movement – a tiny, grey-haired figure running  alongside crews of masked graffiti artists. In the 1970’s, as the boroughs of New York City  burned, she worked as a photographer for the New  York Post, seeking images of creativity and play where  others saw crime and poverty. As a result, she captured  some of the first images of New York graffiti, at a time  when the city had declared war on this new culture.  Martha and her co-author Henry Chalfant compiled  these images into the book Subway Art. However, the  commercial failure of the book forced Martha to leave  graffiti behind, moving on to document many other  hidden cultures of New York. 

Not rated, 82 minutes

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Wojnarowicz is a fiery and urgent documentary portrait of downtown New York City artist, writer, photographer, and activist David Wojnarowicz. As New York City became the epicenter of the AIDS epidemic in the 1980s, Wojnarowicz weaponized his work and waged war against the establishment’s indifference to the plague until his death from it in 1992 at the age of 37. Exclusive access to his breathtaking body of work – including paintings, journals, and films – reveals how Wojnarowicz emptied his life into his art and activism. Rediscovered answering machine tape recordings and intimate recollections from Fran Lebowitz, Gracie Mansion, Peter Hujar, and other friends and family help present a stirring portrait of this fiercely political, unapologetically queer artist.

Not rated,105 minutes

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Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8-year-old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer, but her mother initially refuses to allow a pregnant stranger into their home. Gradually, however, Abla’s resolve softens and Samia’s arrival begins to offer all of them the prospect of a new life.

Not rated, 98 minutes

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STRAY explores what it means to live as a being without status or security, following three strays – Zeytin, Nazar and Kartal – as they embark on inconspicuous journeys through Turkish society that allow us an unvarnished portrait of human life — and their own canine culture. Zeytin, fiercely independent, embarks on adventures through the city at night; Nazar, nurturing and protective, easily befriends the humans around her; while Kartal, a shy puppy living on the outskirts of a construction site, finds companions in the security guards who care for her. The disparate lives of Zeytin, Nazar and Kartal intersect when they each form intimate bonds with a group of young Syrians who share the streets with them. Whether they lead us into bustling streets or decrepit ruins, the gaze of these strays acts as a window into the overlooked corners of society: women in loveless marriages, protesters without arms, refugees without sanctuary. STRAY is a critical observation of human civilization through the unfamiliar gaze of dogs and a sensory voyage into new ways of seeing.

Not rated, 73 minutes

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The lure of family mysteries lies at the heart of STILL LIFE IN LODZ, an emotionally riveting documentary that journeys to the historically tumultuous city of Lodz, Poland.  Here, a surprise reunion with a painting that hung in the same apartment for 75 world-altering years becomes a probing investigation into the power of memory, art, time and resilience. What follows is a deeply personal detective story rich with twists and turns.  But, equally, the film is an ode to the lost generations of Jewish Lodz and a look at how fragile—but also how incredibly necessary—our relationship with the past is for creating the future.

Not rated, 75 minutes

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Based on the critically acclaimed graphic novel, DAYS OF THE BAGNOLD SUMMER is a funny yet sweet coming-of-age storyabout single motherhood and Metallica. Daniel was supposed to spend the summer with his dad and his dad’s new wife in Florida, but when his dad cancels the trip Daniel and his mom suddenly face the prospect of six long weeks together. An epic war of wills ensues in their suburban home as Daniel just wants to listen to heavy metal and start a band while his mom hopes to rekindle the fun times they used to have together. Featuring original songs by Belle and Sebastian.

Not rated, 86 minutes

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The latest deranged delight by French absurdist Quentin Dupieux, Keep An Eye Out is a breakneck-paced cop comedy that packs more laughs into its 73 breezy minutes than some filmmakers manage in their entire careers. Belgian funnyman Benoît Poelvoorde (Man Bites Dog) is Commissaire Buran, a good, bad cop interrogating Fugain, (Grégoire Ludig), an average Joe who discovered a dead body outside his apartment building. As the film begins, Fugain must, on an empty stomach, explain how and why he happened to leave home seven times in one night before coming across a corpse in a puddle of blood. Since he’s the investigation’s only suspect, Fugain’s anxiety is already sky-high when Buran leaves him alone with Philippe, a one-eyed rookie cop with bizarre speech patterns and a few minutes to live. Bloody, batshit hijinks ensue, and before long, we’re in Buñuel territory.

Not rated, 73 minutes

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Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s directorial debut SOPHIE JONES provides a stirring portrait of a sixteen year old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.

Not rated, 85 minutes

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Florence, early XVI century. Although widely considered a genius by his contemporaries, Michelangelo Buonarroti (Alberto Testone) is reduced to poverty and depleted by his struggle to finish the ceiling of the Sistine Chapel. When his commissioner and head of the Della Rovere nobility Pope Julius II dies, Michelangelo becomes obsessed with sourcing the finest marble to complete his tomb. The artist’s loyalty is tested when Leo X, of the rival Medici family, ascends to the papacy and charges him with a lucrative new commission – the façade of the San Lorenzo basilica. Forced to lie to maintain favor with both families, Michelangelo is progressively tormented by suspicion and hallucinations, leading him to ruthlessly examine his own moral and artistic failings. Written and directed by Andrei Konchalovsky, SIN is a gripping reflection on the agony and ecstasy of individual greatness, and the profound humanity behind the legend of the Renaissance.

Not rated, 134 minutes

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M.C. Escher: Journey To Infinity is the story of world famous Dutch graphic artist M.C Escher (1898-1972). Equal parts history, psychology, and psychedelia, Robin Lutz’s entertaining, eye-opening portrait gives us the man through his own words and images: diary musings, excerpts from lectures, correspondence and more are voiced by British actor Stephen Fry, while Escher’s woodcuts, lithographs, and other print works appear in both original and playfully altered form. Two of his sons, George (92) and Jan (80), reminisce about their parents while musician Graham Nash (Crosby, Stills & Nash) talks about Escher’s rediscovery in the 1970s. The film looks at Escher’s legacy: one can see tributes to his work in movies, in fiction, on posters, on tattoos, and elsewhere throughout our culture; indeed, few fine artists of the 20th century can lay claim to such popular appeal.

Not rated, 81 minutes

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Part psychological horror, part realist drama, this exhilarating debut feature from Shatara Michelle Ford is set against the backdrop of national discussions around inequitable health care and policing, the #metoo movement, and race in America. Test Pattern follows an interracial couple whose relationship is put to the test after a Black woman is sexually assaulted and her white boyfriend drives her from hospital to hospital in search of a rape kit. Their story reveals the systemic injustices and social conditioning women face when navigating sex and consent within the American patriarchy. Winner of top prizes at the BlackStar and New Orleans Film Festivals, this gripping social thriller offers a unique exploration of institutional racism and sexism from a Black female point of view. Content warning: This film includes a depiction of sexual assault.

Not rated, 82 minutes

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After an explosive fire claims the lives of 27 people at Bucharest nightclub, Colectiv, officials reassure the public that surviving victims will receive care in facilities that are “better than in Germany.” Weeks later, a rising causality count leads intrepid reporters at the Sports Gazette to investigate. Just as a crucial tip exposes Hexi Pharma, a local firm’s culpability, the firm’s owner dies under mysterious circumstances and the health minister quietly resigns amid the uproar -but this is only the first chapter in a thrilling, ever-twisting exposé.

Not rated, 109 minutes

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There’s a theory that we should be born with a small amount of alcohol in our blood, and that modest inebriation opens our minds to the world around us, diminishing our problems and increasing our creativity. Heartened by that theory, Martin and three of his friends, all weary high school teachers, embark on an experiment to maintain a constant level of intoxication throughout the workday. If Churchill won WW2 in a heavy daze of alcohol, who knows what a few drops might do for them and their students? Initial results are positive, and the teachers’ little project turns into a genuine academic study. Both their classes and their results continue to improve, and the group feels alive again!

Not rated, 116 minutes

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When a family becomes concerned about their mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.

Not rated, 84 minutes, Spanish

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Commissioned as a dedicated artwork for the newly constructed Dora Maar middle school on the outskirts of Paris, Un Film Dramatique is a lively portrait of the first class to attend the school, filmed over the course of four years. The group of 21 middle schoolers discuss the drama of their daily lives and experiment with cameras and equipment. They are the film’s subjects, and also its makers. With a refreshingly uninhibited approach, Éric Baudelaire (Letters to Max, The Anabasis of May…) offers a new perspective on the realities of our current socio- political moment that is both playful and purposeful. As the students debate the approaching elections and the immigration crisis, they also seek to answer a key political question—what are we doing here together?

Not rated, 114 minutes

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TWILIGHT’S KISS (SUK SUK) presents the story of two closeted married men in their twilight years. One day PAK, 70, a taxi driver who refuses to retire, meets HOI, 65, a retired single father, in a park. Despite years of societal and personal pressure, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recount and recall their personal histories, they also contemplate a possible future together.

Not rated, 92 minutes

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Two retired women, Nina and Madeleine, have been secretly in love for decades. Everybody, including Madeleine’s family, thinks they are simply neighbors, sharing the top floor of their building. They come and go between their two apartments, enjoying the affection and pleasures of daily life together, until an unforeseen event turns their relationship upside down and leads Madeleine’s daughter to gradually unravel the truth about them. As a bonus, enjoy a pre-recorded, post-film discussion between writer/director Filippo Meneghetti, star Barbara Sukowa, and international film icon Isabelle Huppert, exclusive to virtual cinema.

Not rated, 99 minutes

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Leona is an intimate, insightful, and moving film that tells the story of a young Jewish woman from Mexico City who finds herself torn between her family and her forbidden love. Ripe with all the drama and interpersonal conflicts of a Jane Austen novel, watching her negotiate the labyrinth of familial pressure, religious precedent, and her own burgeoning sentiment is both painful and beautiful – there are no easy choices to be made and the viewer travels back and forth with her as she struggles with her heart to take the best path.

Not rated, 94 minutes

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Veteran filmmaker Philippe Garrel once again fashions a pinpoint-precise and economical study of young love and its prevarications, which ever so gradually blossoms into an emotionally resonant moral tale. Handsome Luc (Logann Antuofermo), following in his aging father’s footsteps to study the craft of furniture joining, doesn’t appear to have any trouble meeting and dating women; as the film opens he’s aggressively courting Djemila (Oulaya Amamra) at a Paris bus stop. Skeptical yet ultimately trusting, Djemila will not be Luc’s one and only. Constructed and composed with crystalline austerity, and co-written with Jean-Claude Carrière and Arlette Langmann—who collaborated on Garrel’s last two films, In the Shadow of Women and Lover for a Day —The Salt of Tears is a pocket portrait that demonstrates the persistent vitality of one of French cinema’s great observers of the callowness of youth.

Not rated, 100 minutes

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With Some Kind of Heaven, first-time feature director Lance Oppenheim cracks the manicured facade of The Villages, America’s largest retirement community – a massive, self-contained utopia located in Central Florida. Behind the gates of this palm tree-lined fantasyland, Some Kind of Heaven invests in the dreams and desires of a small group of Villages residents – and one interloper – who are unable to find happiness within the community’s pre-packaged paradise. With strikingly composed cinematography, this candy-colored documentary offers a tender and surreal look at the never-ending quest for finding meaning and love in life’s final act.

Not rated, 83 minutes

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After a long and unsuccessful struggle to get pregnant, Satoko and her husband decide to adopt a child. Over the next six years, the middle-class couple and their young son Asato settle into a comfortable, albeit routine, life. The family’s orderly existence is shattered by the arrival of Hikari, a young woman claiming to be Asato’s biological mother, demanding his return. As tensions mount, Satoko grows more and more emboldened to defend her family. Weaving together multiple timelines and genres with a contemplative pacing and keen sense of place, hallmarks of Kawase’s work, TRUE MOTHERS is “is a deeply touching celebration of women who assume duties of love, support and compassion” (Awards Watch)

Not rated, 140 minutes

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A prize-winner at the Venice Film Festival and Ukraine’s official selection for the 2021 Academy Awards, ATLANTIS is a gorgeous and visionary sci-fi drama. Eastern Ukraine, 2025. A desert unsuitable for human habitation. Water is a dear commodity brought by trucks. A Wall is being build-up on the border. Sergiy, a former soldier, is having trouble adapting to his new reality. He meets Katya while on the Black Tulip mission dedicated to exhuming the past. Together, they try to return to some sort of normal life in which they are also allowed to fall in love again.

Not rated, 103 minutes

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After 20 years in the United States, a Hungarian neurosurgeon returns to Budapest for a romantic rendezvous with a fellow doctor she met at a conference. When the love of her life is nowhere to be seen, she tracks him down only to have the bewildered man claim the two have never met.

Not rated, 95 minutes

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Lisa, once a brilliant playwright, no longer writes. She lives with her family in Switzerland, but her heart remains in Berlin, beating in time with that of her twin brother Sven, the famous theatre actor. Since Sven has been suffering from an aggressive type of leukemia, the relationship between them has become even closer. Lisa does not want to accept this blow of fate, she does everything in her power to bring Sven back on stage. For her soulmate she neglects everything else and even risks losing her husband. Her marriage goes awry, but Lisa only has eyes for her brother, who reflects her deepest longings and awakens in her the desire to be creative, to feel alive again.

Not rated, 99 minutes

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In the wilderness of the Bucharest Delta, an abandoned water reservoir just outside the bustling metropolis, the Enache family lived in perfect harmony with nature for two decades, sleeping in a hut on the lakeshore, catching fish barehanded, and following the rhythm of the seasons. When this area is transformed into a public national park, they are forced to leave behind their unconventional life and move to the city, where fishing rods are replaced by smartphones and idle afternoons are now spent in classrooms.

 

Not rated, 86 minutes

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Blizzard of Souls pays stark witness to the horrors and brutality of the First World War, as seen through the eyes of an innocent 17-year-old farm-boy turned soldier. Though he is underage, and his dad, a former marksman, is overage for the army, they are both conscripted into one of Latvia’s first national battalions. The thrill of training is soon followed by reality, as shells burst around them in the endless mud. He grows up on the battlefield, fighting at the side of his father and brother, their lives are constantly in jeopardy. Adapted from the book by Aleksandrs Grins, which was banned in the U.S.S.R., the story was based on Grins’ own war experiences in a Latvian battalion, and the film is the biggest box office success in Latvia in the past 30 years.

Not rated, 123 minutes

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